Contemplative Neuroaesthetics in Architecture: A Sensorimotor Theoretical Framework

This paper initiates the development of a theoretical framework for contemplative neuroaesthetics grounded in sensorimotor dynamics. While neuroaesthetics has expanded significantly in recent years, the contemplative dimension—particularly in relation to architecture—has received limited scholarly attention. This research positions contemplative neuroaesthetics as an underexplored yet promising domain, aiming to articulate how architectural environments can evoke contemplative phenomenological states through embodied experience.

Defining Contemplative Neuroaesthetics

Contemplative neuroaesthetics is proposed as a distinct area of inquiry that investigates the capacity of art and architecture to induce states of contemplation, reflection, and inward awareness. This section defines the conceptual boundaries of the field, emphasizing its relevance for understanding how built environments shape not only perception but also mental and emotional states. Establishing this definition is essential for advancing focused and systematic research in this emerging domain.

Sensorimotor Dynamics and Architectural Experience

The paper advances a sensorimotor account of architectural experience, arguing that perception of architecture is deeply embodied and action-oriented. Through movement, posture, and multisensory engagement, individuals become attuned to architectural environments. This paragraph explains how such sensorimotor interactions operationalize the pathway through which architectural space can foster contemplative states, moving beyond purely visual or symbolic interpretations.

Externally and Internally Induced Contemplative States

A key contribution of the study lies in contrasting externally-induced and internally-induced methods of eliciting contemplative states. While traditional contemplative practices often rely on deliberate internal focus, this research argues that architecture can spontaneously evoke contemplation. Certain built features naturally resonate with the human sensorimotor system, enabling effortless transitions into contemplative states without intentional mental training.

Resonance, Attunement, and Embodied Awareness

The paper proposes that contemplative experience arises from a resonance and attunement process between internal bodily states and external architectural conditions. Becoming aware of this dynamic alignment creates the conditions for externally-induced contemplation. This section elaborates on how architectural form, materiality, light, and spatial rhythm can support such resonance, reinforcing the role of architecture as an active participant in human experience.

Neuroscientific Evidence and Architectural Implications

The final section reviews neuroscientific studies related to architectural perception and aesthetic experience, identifying key brain regions involved in contemplative and affective responses. Architectural examples are discussed to illustrate how contemplative qualities manifest in built form. The paper concludes by highlighting the potential contributions of contemplative neuroaesthetics to evidence-based design, offering new perspectives for creating environments that support well-being, reflection, and meaningful human experience.



 

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